I grew up saying, "I'm not black."
I always said it with a wink. That sort of joking
sincerity where you understood what I was saying.
For instance:
I competed in "Poetry Interpretation"
competitions in High School. Trust me, it's nothing like it sounds. You take a
piece of poetry (not haiku, or rhyming poetry if you wanted to win) and perform
it. You hold a tiny, regulation size, black binder in your hand and you have up
to seven minutes to perform for a judge in a room full of your competitors, and
maybe a small audience.
We (the Prose and Poetry teams) had workshops
every summer to find, cut, and rehearse new pieces for the following school
year.
Our coach (my theatre director) and another
gentleman found a piece that would be "perfect" for me. It was about
an African American kid who grew up listening to his father's jazz music
outside an old nightclub...
There was more to it, but honestly I can't remember
the piece to tell you about it. I stopped reading when it started talking about
jazz.
I know nothing about jazz, or african american
culture.
I read the piece, turned to my theatre director,
and the man who actually selected and cut the piece just for me...and I said,
"I'm not black."
My theatre director laughed. The gentlemen who
cut and helped us rehearse simply gaped at me as if I had just claimed to be a
descendent of the kings who dwell on the dark side of the moon. To him what I
said was that level of ridiculous.
Cut to present day.
I am an advocate of diversity in literature.
Specifically Young Adult (YA) and Middle Grade (MG) literature. I grew up
seeing the first brown Disney princess (Jasmine) and I was in my early twenties
before I saw the first black Disney princess (Tiana).
I strongly believe that people (children, teens,
adults, men, women, etc.) would benefit from "seeing themselves" in
the books they read. I'm going to be ugly though.
I'm going to probably make people mad.
Worst of all - I am going to be completely
forthright with you...
I advocate diversity not for myself, but for the people who lack the ability to imagine
themselves any other way.
A white, red-headed, young girl with a fish tail
didn't make me want to be any less of a mermaid.
A white boy with glasses, green eyes, and a
forehead scar didn't make me want to be any less of a wizard.
The color of my hero's skin has never made me
feel less-than, or like I couldn't be what they were. Maybe my mother gifted me
with a healthy amount of self-esteem to go with my imagination. Who's to say?
Color has never mattered to me, and in my heart
of hearts it still doesn't.......and I wish it didn't for you.
It's hard for me to gather my thoughts.
This post was brought about by the recent
articles and reviews asserting that Rainbow Rowell's novel Eleanor & Park has racist
undertones. In case you were unaware the titular "Park" is a young
boy who is half-Korean.
I caught a tweet maybe two weeks ago that linked
an article stating that much, and I wrote it off. Shooed it away like the
inconsequential fly that I thought it was. It turned out to be Not So
Inconsequential.
Yesterday evening scrolling through my Tumblr I
found this blog post, entitled: "Cognitive Dissonance" by Mike Jung.
He loved ELEANOR & PARK. He's Korean himself,
and his kids are half-Korean. Upon first reading the novel he loved it because
it so brilliantly captured himself at that age; a young boy who culturally felt
as if he didn't belong.
He saw himself. Mike Jung saw himself in the character of Park.
But then a small group of people made him
question his own feelings toward the book. I’ll agree with someone I respect;
there are sound criticisms out there. As a result Mr. Jung
"didn't love it any less", but found himself "deeply
troubled" by it.
Racism is an ugly thing. We all know that. It
breeds ignorance, and hatred.
Rainbow Rowell set out to do a thing in making
Park half-Korean. She made it a point to put a person of color in her story,
and wrote it hoping that somewhere in the Great Out There a person of color
would see themselves. She achieved her goal with Mike Jung, but then people who
apparently cannot abide someone taking a step in the right direction sullied
that achievement.
I'm disgusted.
We cry out for diversity. "Give us
black/asian/hispanic/middle-eastern/native-american characters!"
"Give us LGBTQ characters!"
Someone does, and Park isn't a poorly drawn
stereotype. He's a kid who happens to be half-Korean, but he also loves The
Beatles and comic books.
More importantly it's The Beatles and the comic
books that he shares with Eleanor. No one in the book gives two, runny shits
about Park's genetic/cultural heritage.
And some people might say that's a bad thing.
Here's the deal: if it doesn't matter to Park (or
to Eleanor) that he's Half-Korean, why does it matter to you?
If it doesn't matter to me that I am half-black,
why does it matter to you?
I’ll say this to those who ardently believe that
Eleanor & Park is a racist work:
In finding racism where there is none, speaking
out against this imagined racism, and placing a dunce cap on the author you
have alienated those who you claim to be fighting for.
It’s like calling out the Huxtables for not being
black enough. It’s admonishing the cast of Sex and the City for not addressing
issues of white-privilege. It's Witch-Hunting. We all know how Witch-Hunting
goes; people see what they want to see. They become sheep bleating at shadows
while the wolf sneaks up behind them.
I wonder if Mike Jung had written Eleanor &
Park if it would be heralded as racist. Would all the advocacy groups become
livid and outspoken about how aspects of Park’s culture are factually
inaccurate, or how the portrayal of him as half-Korean is invalid?
Perhaps Mike Jung would come back and say “I
wrote from my personal experience. Park knows what I know. I see a lot of
myself in Park.”
I think that would shut everyone up.
Rainbow Rowell doesn’t have that ability. She
made a choice to be an advocate, to give us a Hero of a different color – which
we all can agree we need for one reason or another – and there are people out
there trying to kick her in the teeth for it.
They made someone who identified with Park, a Korean man who saw himself in Park feel
troubled by his experience. They invalidated good feelings, good intentions,
and positive results because for some reason they couldn’t find anything else
to bitch about.
It makes me very angry.
I ignored the article at first because it the
feeling I got from the book. But seeing a light be darkened because of someone
else’s maliciousness really gets under my skin. If you want to read Eleanor and
Park and see racism – fine. But I think we both know that’s not the author’s
intent, and certainly not what comes across to 99.9% of readers.
Congratulations, you’ve achieved another minority status. We’ll mail your badge
to you.
People are people.
Black is not a verb. Korean is not a verb. White
is not a verb.
Color is not a verb.
Nor is it an identity; at least not in a healthy
mind.
There is no "too black", or "too
white", or "being asian" or "being egyptian"
People are people.
I am creative. I am intelligent. I am ambitious.
I can be kind. Each of those adjectives has other connotations. You can surmise
intelligence by simply noting creativity; you can infer compassion from the
word Kind. You can glean goal-oriented, and future-minded from ambitious.
What can you get from Black? What can you get
from Asian? What can you get from Colombian?
(I have an answer! Dance moves, Math skills, and
good coffee, respectively. But I’m being crass…)
By reducing me to a color, by reducing me to
culture (that I may or may not be a part of), by reducing me...
...Reducing me...
You are Reducing
Me.
You have REDUCED Park. You have taken something
away, by drawing attention to an issue that is a non-issue; you have made it
less-than in your attempt to make yourself feel like you're making a
difference, or fighting an injustice. Despite the MULTITUDE of injustices out there you have focused on
the ONE thing that ISN'T an issue, and have done a disservice to everyone.
Worst of all I believe you’re attempting to make an enemy of a friend.
Park is a teenager in the 80's. As a teenager in an interracial household were you aware of the history of both of your cultures, or was one more dominant? If you weren't did you know the entire ins-and-outs of your own culture's history as a teenager? White people did you know all about white privilege and fight against it at 15? (If so - did you have any friends?)
Park's father was a dominant (and positive) force in his life. His father is white. If Park "Isn't Korean enough" or if his mother "wasn't Korean enough" isn't that like real life? Doesn't one culture take a backseat to the other in a relationship? How you spend holidays, and who with, and what you eat for dinner. If there's not a committee involved it usually ends up with one person deferring or pleasing the other.
Does casual racism not abound? Is it not a real thing? or did Rainbow Rowell include it because she's secretly a casual racist?
An author builds a world, builds characters, and contemporary authors are masters of building characters that are true to life. Artistic Integrity, if you will.
I could sum it all up by that all the things that a few people are outraged at are simply things that lend the book gravity, and reality.
And you've maligned the artist.
Shame on you.
I have a character. Her name is Eden. She's like
me, half-black and half-white, her culture, her beliefs, her (former) home-life
somewhat reflect that of my own. I may be called to the carpet because some may
say she is "too white", and to that I'll say:
"Everything she does is black because she is
black. Everything she does is white because she is white. She is all of these
things, but most importantly she's broken - that's where the story begins, you
see..."
Or maybe I'll be cheekier:
"Well it is a YA Fantasy. In my world
people's personalities aren't defined by what color their skin is."
I hate even talking about race.
I feel like I'll be maligned or swept to the side
because of my "People are People" views.
I hate talking about race because the instant a
person of color talks about race that's all they become - they become a color.
Which defeats the entire purpose doesn't it?
I am more than a color.
My characters are more than colors.
All characters are more than colors.
We are all more than color.
That is why I'm not black...I won't admit it
until you truly understand that I am more than that.